 |
 |
|
 |
 |
 |
 |
 |
 |
 |
|
 |
|
|
|
Constantly risking absurdity
Constantly risking absurdity and death whenever he performs above the heads of his audience the poet like an acrobat climbs on rime to a high wire of his own making
and balancing on eyebeams above a sea of faces paces his way to the other side of the day performing entrachats and sleight-of-foot tricks and other high theatrics and all without mistaking any thing
for what it may not be For he's the super realist who must perforce perceive taut truth before the taking of each stance or step in his supposed advance toward that still higher perch
where Beauty stands and waits with gravity to start her death-defying leap And he a little charleychaplin man who may or may not catch her fair eternal form spreadeagled in the empty air of existence
|
|
|
 |
|
|
|
Dove sta amore
Dove sta amore
Where lies love Dove sta amore Here lies love The ring dove love In lyrical delight Hear love's hillsong Love's true willsong Love's low plainsong Too sweet painsong In passages of night
Dove sta amore Here lies love The ring dove love Dove sta amore Here lies love
|
|
|
 |
|
|
|
Elegy
The page opens to snow on a field: boot-holed month, black hour
the bottle in your coat half voda half winter light. To what and to whom does one say yes? If God were the uncertain, would you cling to him?
Beneath a tattoo of stars the gate open, so silent so like a tomb.
This is the city you most loved, an empty stairwell where the next rain lifts invisibly from the Seine.
With solitude, your coat open, you walk
steadily as if the railings were there and your hands weren't passing through them.
"When things were ready, they poured on fuel and touched off the fire.
They waited for a high wind. It was very fine, that powdered bone. It was put into sacks, and when there was enough we went to a bridge on the Narew River."
And even less explicit phrases survived: "To make charcoal. For laundry irons." And so we revolt against silence with a bit of speaking. The page is a charred field where the dead would have written
We went on. And it was like living through something again one could not live through again.
The soul behind you no longer inhabits your life: the unlit house
with its breathless windows and a chimney of ruined wings where wind becomes an aria, your name, voices from a field, And you, smoke, dissonance, a psalm, a stairwell.
|
|
|
 |
|
|
|
Number 8
It was a face which darkness could kill
in an instant a face as easily hurt by laughter or light
'We think differently at night' she told me once lying back languidly
And she would quote Cocteau
'I feel there is an angel in me' she'd say 'whom I am constantly shocking'
Then she would smile and look away
light a cigarette for me sigh and rise
and stretch her sweet anatomy
let fall a stocking
|
|
|
 |
|
|
|
Number 20
The pennycandystore beyond the El
is where I first fell in love with unreality Jellybeans glowed in the semi-gloom of that september afternoon A cat upon the counter moved among
the licorice sticks and tootsie rolls and Oh Boy Gum
Outside the leaves were falling as they died
A wind had blown away the sun
A girl ran in Her hair was rainy Her breasts were breathless in the little room
Outside the leaves were falling and they cried Too soon! too soon!
|
|
|
 |
|
|
|
Poem for Maya
Dipping our bread in oil tins
we talked of morning peeling open our rooms to a moment of almonds, olives and wind when we did not yet know what we were. The days in Mallorca were alike: footprints down goat-paths
from the beds we had left, at night the stars locked to darkness. At that time we were learning to dance, take our clothes in our fingers and open ourselves to their hands. The veranera was with us.
For a month the almond trees bloomed, their droppings the delicate silks we removed when each time a touch took us closer to the window where we whispered yes, there on the intricate
balconies of breath, overlooking the rest of our lives.
|
|
|
|
 |
|
|
|
Recipe For Happiness Khaborovsk Or Anyplace
One grand boulevard with treeswith one grand cafe in sun with strong black coffee in very small cups.
One not necessarily very beautiful man or woman who loves you.
One fine day.
|
|
|
 |
|
|
|
Seascape With Sun And Eagle
Freer than most birds an eagle flies up over San Francisco freer than most places soars high up floats and glides high up in the still open spaces
flown from the mountains
floated down far over ocean where the sunset has begun a mirror of itself
He sails high over turning and turning where seaplanes might turn where warplanes might burn
He wheels about burning
in the red sun climbs and glides and doubles back upon himself now over ocean now over land high over pinwheels suck in sand where a rollercoaster used to stand
soaring eagle setting sun
All that is left of our wilderness
|
|
|
 |
|
|
|
The Plough Of Time
Night closed my windows and
The sky became a crystal house The crystal windows glowed The moon shown through them through the whole house of crystal A single star beamed down its crystal cable and drew a plough through the earth
unearthing bodies clasped together couples embracing around the earth They clung together everywhere emitting small cries that did not reach the stars The crystal earth turned and the bodies with it
And the sky did not turn nor the stars with it The stars remained fixed each with its crystal cable beamed to earth each attached to the immense plough furrowing our lives
|
|
|
|
 |
|
|
|
The Testimony Of Light
Our life is a fire dampened, or a fire shut up in stone.
--Jacob Boehme, De Incarnatione Verbi
Outside everything visible and invisible a blazing maple.
Daybreak: a seam at the curve of the world. The trousered legs of the women shimmered. They held their arms in front of them like ghosts.
The coal bones of the house clinked in a kimono of smoke.
An attention hovered over the dream where the world had been.
For if Hiroshima in the morning, after the bomb has fallen, is like a dream, one must ask whose dream it is. {1}
Must understand how not to speak would carry it with us. With bones put into rice bowls. While the baby crawled over its dead mother seeking milk.
Muga-muchu {2}: without self, without center. Thrown up in the sky by a wind.
The way back is lost, the one obsession. The worst is over. The worst is yet to come.
1--...is the question asked by Peter Schwenger in Letter Bomb. Nuclear Holocaust and the Exploding Word. 2--...is from Robert Jay Lifton's Death in Life: Survivors of Hiroshima.
|
|
|
 |
|
|
|
The Visitor
In Spanish he whispers there is no time left.
It is the sound of scythes arcing in wheat, the ache of some field song in Salvador. The wind along the prison, cautious as Francisco's hands on the inside, touching
the walls as he walks, it is his wife's breath slipping into his cell each night while he imagines his hand to be hers. It is a small country.
There is nothing one man will not do to another.
|
|
|
 |
|
|
|
Wild Dreams Of A New Beginning
There's a breathless hush on the freeway tonight Beyond the ledges of concrete restaurants fall into dreams with candlelight couples Lost Alexandria still burns in a billion lightbulbs
Lives cross lives idling at stoplights Beyond the cloverleaf turnoffs 'Souls eat souls in the general emptiness' A piano concerto comes out a kitchen window A yogi speaks at Ojai
'It's all taking pace in one mind' On the lawn among the trees lovers are listening for the master to tell them they are one with the universe Eyes smell flowers and become them There's a deathless hush
on the freeway tonight as a Pacific tidal wave a mile high sweeps in Los Angeles breathes its last gas and sinks into the sea like the Titanic all lights lit Nine minutes later Willa Cather's Nebraska
sinks with it The sea comes over in Utah Mormon tabernacles washed away like barnacles Coyotes are confounded & swim nowhere An orchestra onstage in Omaha keeps on playing Handel's Water Music
Horns fill with water ans bass players float away on their instruments clutching them like lovers horizontal Chicago's Loop becomes a rollercoaster Skyscrapers filled like water glasses
Great Lakes mixed with Buddhist brine Great Books watered down in Evanston Milwaukee beer topped with sea foam Beau Fleuve of Buffalo suddenly become salt Manhatten Island swept clean in sixteen seconds
buried masts of Amsterdam arise as the great wave sweeps on Eastward to wash away over-age Camembert Europe manhatta steaming in sea-vines the washed land awakes again to wilderness
the only sound a vast thrumming of crickets a cry of seabirds high over in empty eternity as the Hudson retakes its thickets and Indians reclaim their canoes
|
|
|
 |
|
|
|
|
|
|
|
 |
 |
|